PRINTABLE MEDIA
Challenge
880
Repetition
An Italian Newspaper 01
An Italian Newspaper 02
An Italian Newspaper 03
An Italian Newspaper 04
An Italian Newspaper 05
An Italian Newspaper 06
An Umbrella Newspaper
Colorful History of an Airstrike
An Indian Newspaper 01
Arabic Alphabet Interpretation 01
Arabic Alphabet Interpretation 02
Arabic Alphabet Interpretation 03
LOREM IPSUM 06
LOREM IPSUM 05
LOREM IPSUM 02
Negma Starborn by AHMED MORSI
Negma Starborn by AHMED MORSI
Negma Starborn by AHMED MORSI
ON PAPER
non c'é ma si vede
29,7 x 42 cmThread and paper on paper
NEURO-DIVERSITY
42 x 29,7 cmThread and paper on paper
AVANTGARDE
29,7 x 42 cmThread, acrylic and paper on paper
36 times da vinci
Thread and paper on paper, 30 x 45 cmMOVING BACKWARDS 001
29,7 x 42 cmThread and paper on paper
THE CREATION
29,7 x 42 cmThread and paper on paper
IL CAOS I
2020 mixed mediapaper, polymer paint on paper
29x42cm
IL CAOS II
2020 mixed mediapaper, polymer paint on paper
29x42cm
IL CAOS III
2020 mixed mediapaper, polymer paint on paper
29x42cm
SCULPTURAL WORKS
VANITY STRENGTH 01
VANITY STRENGTH 02
VANITY STRENGTH 03
VANITY STRENGTH 04
VANITY STRENGTH 05
VANITY STRENGTH 06
VISUAL MANIFESTS
SITE-SPECIFIC INSTALLATIONS
ROUGHLY IDENTICAL
2020,Mixed media in various sizesCHASING AFTER SIGNOR CASTELLI
Small Title
CHASING AFTER SIGNOR CASTELLI
2020, ESRA NESIPOGULLARI, 150 cm x 150 cm include paper documentation
All that researching process started with a found luggage in my art studio. The luggage was locked what made me curious the most! After I opened the luggage with my friends' help, I was fascinated by the stuff that was inside. In a more poetic way to say, the curiosity cabinet was open to the public. Then I decided to convert those memories into an art installation that might help find the owners one day.
The installation consists of three main components: the luggage, the basis (metal structure used for the cars), and the documents. There are two types of documents: official documents mainly related to Signor Castelli's work and personal documents related to his family member. Touching someone's intimate memories, even just by coincidence, makes me feel very close to them. It also gives every viewer a chance to invent their own narratives about Signor Castelli and his family members.
RED CUBE
2014, Installation, Marseille/France,
2mx2mx2m
SOME WORDS ON MIGRATION AND WAITING
Exhibition strategies always have been an active tool for me to shape the viewers' understanding, especially if the theme requires a certain political understanding. Here what it was intended to convey is 'waiting' as a basic action that most of the migrants have gone through almost 99% of the time. Migration is more about waiting and less about being the actor of your own future. Although I did not take this process in a dramatic way, it might involve excited, normal, even fun moments, as well as it is mostly boring. The cube is structured in a way that only one person can stand, still uncomfortably, although 2m x 2m x 2m size cube is practically more than enough for one person. There was a sound work inside which consists of children's noise, calls for prayers, some vendor shouts and other voices possibly involved daily life in the street